(Note to certain flisters: Don’t even think about arguing over song choices yo, y’all know “Dazzling Girl” is secretly their best song.) You are my everything, never leave me, etc etc.
The "best" is probably the one for "Lucifer" (the first one). The more you see it the less sense it makes. Why does it play like a musical car commercial. WTH are those wispy patronus things about? Are they supposed to represent the devil possessing them (to dance complicatedly in front of a bunch of shiny cars)? We may never know. Truer words, broski, truer words.
+ This show is half terriblemazing, half scarily on-point and cynical about power dynamics. Needless to say, I'm obsessed. (For the longest time I have had a hole inside me where good teen trash should be, friends. Pity my life.) LMAO. But you know I feel datz. (Especially the parentheticals.)
And lbr this show will not be complete without Bo Na and Eun Sang driving off into the sunset together. TEARS IN MY EYES. NOTHING ELSE MATTERS.
THE ENTIRE EUN SANG PARAGRAPH IS PERFECTION I DON'T EVEN HAVE ANYTHING TO ADD. YOU UNDERSTAND ME LIKE NO OTHER TBH. She's just never allowed to. She is having to play the Madonna role despite being very very ill-suited for it. Life has made her bitter and numb. What's more, she has trouble expressing positive emotions because she basically never gets what she wants -- and since she can never have nice things she also has trouble differentiating what she really wants from what she feels obliged about (SEE: TAN, SMH). AND I CRY AND MY TEARS ARE BLOOD. YOU KNOW MY FEELS ON HER EMOTION EXPRESSION AND HER OWN FEELS PERCEPTION AND JUST ;____;
Particularly loved the shit out of her threatening to break up the engagement just to make Tan's life hell. Grab for power where you can, bb. YES.
His situation has taught him that power is superficial, ergo he has perfected the emotional manipulation and controlling of his image (see: with Young Do's father) to stay at the top of the hierarchy. At the same time he's bored and yearning to make/get something "of his own", ergo his fixation with Eun Sang, whom he met in a different country and who is "different" from everyone else he knows, someone with whom he can reinvent himself. And who really cares if she doesn't want to play along. I don't like him, but I buy him. I can add nothing, but I'm nodding compulsively.
I've been convinced that it makes sense for Eun Sang to be vulnerable to Tan's guilt-tripping (seriously, such a good emotional manipulator, that pos) considering the aforementioned desire v.s. obligation issues, but it remains to be seen whether the show will keep portraying their relationship as problematic or whether it will all be unironic LOVE IS THE MOMENT montages. Prayer circle. Tbh, when the show stabs me in the back (which it inevitably will), I don't know how I will be able to handle myself. Worried about y'all having to deal with my future breakdown to end all breakdowns :|.
I can actually pinpoint the moment I came around and it is a laughable one, guys: It's when he insisted on playing emo thrash metal in the car while Rachel side-eyed everything. This is the way I roll. TROLOLOLOL. No surprise there, so predictable.
Plus, there is zero visceral obligation on Eun Sang's part to return his attention (unlike with Tan, ugh). I can understand the confusion about Young Do's interest in Eun Sang, but I think it's interesting because it exposes his true existential dilemma, i.e. wanting authenticity v.s. wanting to keep the upper hand with everyone and so never lose his coping mechanism. Why do I ship this so damn hard. WHY.
HYO SHIN SHOULD BANG THE UNIVERSE TBH.
PS - I said I'd use this icon should you ever post again, so there, obligatory objectified!Changmin icon.
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momijizukamori
no subject
Date: 2013-11-10 01:39 pm (UTC)(Note to certain flisters: Don’t even think about arguing over song choices yo, y’all know “Dazzling Girl” is secretly their best song.)
You are my everything, never leave me, etc etc.
The "best" is probably the one for "Lucifer" (the first one). The more you see it the less sense it makes. Why does it play like a musical car commercial. WTH are those wispy patronus things about? Are they supposed to represent the devil possessing them (to dance complicatedly in front of a bunch of shiny cars)? We may never know.
Truer words, broski, truer words.
+ This show is half terriblemazing, half scarily on-point and cynical about power dynamics. Needless to say, I'm obsessed. (For the longest time I have had a hole inside me where good teen trash should be, friends. Pity my life.)
LMAO. But you know I feel datz. (Especially the parentheticals.)
And lbr this show will not be complete without Bo Na and Eun Sang driving off into the sunset together.
TEARS IN MY EYES. NOTHING ELSE MATTERS.
THE ENTIRE EUN SANG PARAGRAPH IS PERFECTION I DON'T EVEN HAVE ANYTHING TO ADD. YOU UNDERSTAND ME LIKE NO OTHER TBH.
She's just never allowed to. She is having to play the Madonna role despite being very very ill-suited for it. Life has made her bitter and numb. What's more, she has trouble expressing positive emotions because she basically never gets what she wants -- and since she can never have nice things she also has trouble differentiating what she really wants from what she feels obliged about (SEE: TAN, SMH).
AND I CRY AND MY TEARS ARE BLOOD. YOU KNOW MY FEELS ON HER EMOTION EXPRESSION AND HER OWN FEELS PERCEPTION AND JUST ;____;
Particularly loved the shit out of her threatening to break up the engagement just to make Tan's life hell. Grab for power where you can, bb.
YES.
His situation has taught him that power is superficial, ergo he has perfected the emotional manipulation and controlling of his image (see: with Young Do's father) to stay at the top of the hierarchy. At the same time he's bored and yearning to make/get something "of his own", ergo his fixation with Eun Sang, whom he met in a different country and who is "different" from everyone else he knows, someone with whom he can reinvent himself. And who really cares if she doesn't want to play along. I don't like him, but I buy him.
I can add nothing, but I'm nodding compulsively.
I've been convinced that it makes sense for Eun Sang to be vulnerable to Tan's guilt-tripping (seriously, such a good emotional manipulator, that pos) considering the aforementioned desire v.s. obligation issues, but it remains to be seen whether the show will keep portraying their relationship as problematic or whether it will all be unironic LOVE IS THE MOMENT montages. Prayer circle.
Tbh, when the show stabs me in the back (which it inevitably will), I don't know how I will be able to handle myself. Worried about y'all having to deal with my future breakdown to end all breakdowns :|.
I can actually pinpoint the moment I came around and it is a laughable one, guys: It's when he insisted on playing emo thrash metal in the car while Rachel side-eyed everything. This is the way I roll.
TROLOLOLOL. No surprise there, so predictable.
Plus, there is zero visceral obligation on Eun Sang's part to return his attention (unlike with Tan, ugh). I can understand the confusion about Young Do's interest in Eun Sang, but I think it's interesting because it exposes his true existential dilemma, i.e. wanting authenticity v.s. wanting to keep the upper hand with everyone and so never lose his coping mechanism.
Why do I ship this so damn hard. WHY.
HYO SHIN SHOULD BANG THE UNIVERSE TBH.
PS - I said I'd use this icon should you ever post again, so there, obligatory objectified!Changmin icon.